Remembering Sergeant Major Russell Keene, U.S. Army


Between Memorial Day and D-Day, June 6th, I always have a thought, even if fleeting, for Sergeant Major Russell Keene, my savior.

It was fifty-one years ago—in the summer, I remember—that I first met Sergeant Major Russell Keene, the man who single-handedly ran the day-to-day life of the U.S. Army Battalion in which I found myself an unwilling draftee, in the Antilles Command, San Juan, Puerto Rico. I stood before Sgt. Keene that day in 1962 as a prisoner, having been transported back to Ft. Buchanan in San Juan from the Town of Salinas in the mountainous interior of the Island where I’d been assigned as an “Acting” Military Policeman with the rank of “Acting” Corporal, in a contingent of regular Army (as I was) to keep order in a Puerto Rican National Guard Summer Training Camp. I had been very much “acting”—I’d been issued no bullets for my .45-caliber sidearm since my primary job in the Army was “English Language Instructor” (the Service calls it your MOS), my fellow instructors being also armed with empty pistols, all of us just there as some extra bodies on loan to the real MPs. It was the real MPs who chased and arrested me for “misappropriating” the Lieutenant Colonel’s Staff Car to go into town for a “couple of pops.” That’s how I met Sgt. Major Keene. Under guard.

My problem had begun at the thrice-weekly Martini Cocktail Hour the Instructors threw in their tents (which ‘hour’ ran longer). That night I needed a cold Corona which meant a trip to town. I immediately thought jeep but inspection at the Motor Pool revealed none with sufficient gas. Only that four-door shiny black Buick had a full tank. Off I went solo but immediately had a problem in not being able to turn on the headlights, but with a full moon in a starlit night of deep inky blackness, I could just manage to navigate by the flashing of the directional signals. I roared past the MP Guard Post, and they followed. I met my pursuers in a Beer Shack by the side of the road far short of town after I ran the Buick into a ditch, damaging the left front fender. I managed to down a couple before being apprehended.

In between two MPs, I was ushered into the Battalion HQ Hut into His presence. You weren’t required to salute Non Commissioned Officers (NCOs)—even the top enlisted rank of Sergeant Major, but I resisted a powerful urge to do so. Sgt. Keene was a big man: six-two, broad in the shoulders and waist, barrel-chest, military-cut salt-and-pepper hair; I guessed his age at fifty. Being 21, old to me was 50. I stood at rigid ‘attention’: shoulders back, eyes straight ahead, head level with and centered atop my shoulders. (The man had that kind of effect on you.) Coming from behind his grey metal desk, he stopped two feet away, stooping a bit to peer intently in my face. I stared back at the clean-shaven face, noting absent-mindedly the gossamer tracery of burst red capillaries in the hollows of the cheek and the drinker’s nose.

“What in Sam Hill do you think you’re doing, Corporal?” he said. The tone perplexed, not unkind. After awhile, he told me to consider myself under arrest and confined to the HQ Company area, specifically a vacant barracks next door. I was ordered to stay put until further notice, except to go to the Company Mess at feeding times. He dismissed me then, directing his Orderly to get me bedding and escort me to my place of confinement. He’d forgotten something, and so called me back to surrender my Class A Pass (like a Passport, it allows you to enter onto or leave a military base).

Jail was not what I’d expected. I was alone in a barracks that usually was home to forty men. I took three meals at the HQ Company dining hall like the other soldiers, undistinguished by my status as prisoner. Days and evenings I read in the barracks. I consumed the “Studs Lonigan” trilogy by James T. Farrell. I felt no urge to flee; I accepted that I was ‘On My Honor’, sort of an Honored Guest. I never saw Sgt. Keene at the Company Mess Hall; the enlisted men’s grapevine said he took his meals at the NCO Club, where you could get a drink. He was rumored to put away a case of beer nightly at the Club; there was no Missus Keene, on the Base at least. Sgt. Keene was a Lifer, having parachuted into Normandy on D-Day, and fought in Korea in the early 1950s. I calculated that he was likely no older than me, probably 19, when he landed in France with the 82nd or 101st Airborne Divisions on June 6, 1944.

Ten days later, I was summoned again by Sgt. Keene, who informed me that if I wished to plead guilty to “misuse” rather than “misappropriation” of the Lieutenant Colonel’s staff car, I would be sentenced to 30 days at “unconfined hard labor” and loss of rank—busted back, that is, to the lowest enlisted rank, Private E-1, with a consequent loss of pay. Since I had only managed to rise one grade to Private E-2 despite my unpaid Acting Corporal rank, I readily agreed to the plea offer. That same day, in the afternoon, I appeared before the Battalion Commander, Colonel Bishop, to formally plead guilty and be sentenced at a Summary Courts Martial. The formalities swiftly done, the Colonel disappeared and I was left with Sgt. Keane who instructed me on my next assignment. First, he asked how many pairs of “fatigues” (the work uniform) I owned. “Two,” I said.

“Draw three more from Quartermaster and soap at the PX,” he said. “Report tomorrow at 0630 hrs. in full fatigue uniform to the Work Detail Sergeant at the northwest corner of the Parade Field. He’ll show you what to do. Dismissed!”

And so I was “Courts Martialled”. Next morning, I drew a pick and shovel, alternately, and broke ground, dug post holes, and hoisted lumber into place for the next thirty days—that is, me and successive platoons of Puerto Rican recruits. The only constant face in the work gang was mine. We were building a Combat Proficiency Course, the first on the Island. All regular Army would be tested—swinging on ladder bars, running over and under obstacles, climbing walls, while being timed—to measure our Combat-Readiness. This was during Cuban Missile Crisis time, which gave the Commanding General of the Antilles Command a purpose. The other half of the Command was located in Panama at the Jungle Fighters School. Their Combat Proficiency Course would not look anything like ours. In the event, I qualified on the course easily, being in the best shape I’d been since Basic Training.


When I was summoned by Sgt. Keene some days later, he informed me that I had completed my sentence, was reassigned to the HQ Billet (a/k/a the Havana Hilton for some obscure reason, but an actual three-story stone building), and would henceforth drive the Battalion Laundry Truck—delivering the dirty linen and picking up the clean from the Base Laundry. I mentioned that I’d never had a driver’s license, so he called ahead to the Motor Pool Sergeant to qualify me forthwith on the Army’s Ton-and-a-Half flatbed. The Motor Pool Sergeant rode with me till he couldn’t take the strain, then issued me a Military Driver’s License, stamped “Restricted to Base”.

I got quite adept behind the wheel of my Ton-and-a-Half, though it never got to go to Town. The months of my enlistment sped by as I picked up the dirty stuff—on alternate days of the week from Companies A, B, C and Headquarters—and came back with clean. Companies A, B and C housed the English Language Instructors. One hundred fifty of them—all of us college graduates sent at the end of Basic Training from Camps all around the country to Ft. Buchanan to teach Puerto Rican recruits to read, speak and write English (more or less), in eight weeks so they could pass a test, then be formally inducted into the U.S. Army. My brother instructors were every kind of engineer, PhDs in the Classics from Harvard and Yale, farmers from Texas A&M, and not a few actual high school teachers. All, with Lesson Plan in hand, saying “Repeat after me” to 30 or more ‘jibaros’, having varying degrees of motivation to learn the foreigner’s tongue. Sgt. Keene rescued me from that fate. In time, I learned that he had intervened to save me from another. Lt. Col. Hayes whose brand new staff car I had “misused” (and abused) wanted me to receive a General Courts Martial which would have sent me to the Federal Penitentiary in Leavenworth, KS, with a Dishonorable Discharge. But Col. Bishop, who outranked Hayes, vetoed that. I believe that Sgt. Major Keene, as trusted chief advisor, whispered in his Colonel’s ear.

When I was a ‘short-timer’ with just one week to go before being shipped back to the States for discharge, Sgt. Keene once again demanded my Class A Pass and confined me to the Base. It was during the small private party he had for me—just him, the Orderly and me, with a small frosted cake from the Mess Hall with three candles on it—signifying my new pay grade of E-3, him handing me a pair of stripes to be sewn on, one to each sleeve, as he promoted me to Private First Class and advised that I keep my nose clean.

Why me? I ask myself. He’d commanded real soldiers, in combat and out, for two decades, and must have dealt with countless drunk fuck-ups. Was that it? Nostalgia? I wonder if he stayed in long enough to go to Vietnam. If he were still alive, he’d be about 93. I’d like to see him once more so he could see that I didn’t end up in Leavenworth after all.

Robert Knightly

Fact Into Fiction

Dennis Palumbo ends his stunning book WRITING FROM THE INSIDE OUT with a quote by screenwriter Frederick Raphael: "Work is... having pages in the evening that weren't there in the morning."

And his own words: "You. And Your writing. That's all there is. That's all there needs to be. So go. Write!"

If I were doing a book on "Writing," I'd want to say everything Dennis says. Both a gifted writer and a well-known psychotherapist, Dennis tackles the weighty issues that confront every serious writer: Rejection, solitude, fear, isolation, struggles, envy, tumult, joy and triumph! This book is not a manual for the neophyte. Or a person who toys with the art. Rather, it is like going to your own personal guru, who is experienced both as a fellow writer and as a wise shrink.


Informed, compassionate and funny, Dennis gives you the confidence that you ARE on the right track, ARE okay and all WILL be well!

That all your agony on this journey IS worth it!

That you have a compassionate friend, a steady guide and a wise companion - that you are NOT alone!

Author of acclaimed crime novels MIRROR IMAGE, FEVER DREAMS and NIGHT TERRORS ( Poisoned Pen Press), a collection of short stories, FROM CRIME TO CRIME ( Tallfellow Press), Dennis has been a Hollywood screen writer for popular series, including "My Favorite Year" and "Welcome Back, Kotter," short fiction in
Ellery Queen Mystery Magazine, The Strand, articles in the NYT, the LAT, The Lancet, Psychology Today and the Huffington Post. He has been named UCLA "Outstanding Teacher of the Year"!

Today, as a licensed psychotherapist, he works with established screen writers, directors and novelists, often dealing with issues of anxiety, depression and relationship difficulties.

He has stated "The most challenging aspect of crime/mystery writing is the plotting—making sure there are enough twists and turns!" ( Sound familiar, dear friends?)

He makes us feel "If you seek wisdom, sample every tent in the bazaar!"

We are never too smart, gifted, clever, famous, well-published—to think we are above seeking good advice!(From many years in the challenging world of crime writing—as reader, reviewer, writer—I'm always on the lookout for a superior teacher on how to write better or how to navigate the Slippery Slope of Writing Fiction!)

In Dennis Palumbo I've found a writer who is sage, inspired, experienced, exceptional.

I can't wait to begin his new crime novel, NIGHT TERRORS, that sits beside me as I write this page.

Please welcome Dennis Palumbo to our esteemed blog - Crime Writers Chronicle!

Thelma Jacqueline Straw




In my latest Daniel Rinaldi mystery, NIGHT TERRORS (Poisoned Pen Press), the Pittsburgh psychologist and trauma expert is asked by the FBI to treat one of their recently-retired profilers. After a twenty year career inside the minds of the most infamous serial killers, Special Agent Lyle Barnes can no longer sleep through the night. He’s tormented by a cascade of horrifying images, along with intense feelings of dread and imminent danger. Until, sweat-soaked, heart pounding, he wakes up screaming...

He’s not alone. Once considered primarily a pediatric diagnosis, more and more adults are currently being treated for night terrors. Why the upsurge in night terrors in adults? Most clinicians—including therapists like myself—are blaming the increased uncertainty of contemporary life. The economy, terrorism. Even natural disasters, like tsunamis, earthquakes, and super-storms. The daily anxiety suppressed by adults during waking life, now invading their sleep.

And since science hasn’t yet discovered what exactly causes night terrors, treating it can be quite difficult. In my novel, Rinaldi’s approach is to get the retired FBI agent to open up about his years as a profiler. His thousands of hours of contact with the most heinous and notorious serial killers. Since Barnes’ work was his life, Rinaldi believes that the best way to address his nocturnal demons is to get him to open up about the real-life demons with whom he spent most of his career.

Not an easy task, since Lyle Barnes is also the target of an unknown assassin who’s already killed three others on a seemingly-random hit-list...

***

As it happens, I got the idea for the fictional narrative of NIGHT TERRORS from reading about the real-life sleep disorder in a clinical journal. In my dual careers as both a therapist and crime writer, the worlds of psychotherapy and mystery fiction are often equally intertwined.

Take, for example, an institutionalized patient I knew called Angie. All the other patients called her Angie the Android. She was a deeply delusional teenage girl who believed she was actually a machine. Like Pinocchio, her biggest and only dream was to become a real person.

I met Angie the very first week of my internship at a private psychiatric hospital in West L.A. She was one of dozens of schizophrenic patients I worked with at this final stage of my training to be a psychotherapist. It was a thrilling, challenging, enlightening and ultimately humbling period of years. (Even though my former career as a Hollywood screenwriter, working with various film producers and network executives, had already given me valuable experience dealing with psychotics.)

Of course, my internship at the private hospital took place many, many years ago. Now I’m a licensed psychotherapist in private practice, but I’ve woven some of the situations and people I encountered during my clinical training—people like Angie—into my series of crime novels. In fact, it was the opportunity to blend aspects of both my clinical experience and personal biography that prompted me to create the series in the first place.

For starters, my protagonist, Dr. Daniel Rinaldi, is a psychologist. And, although my internship was in Los Angeles, the novel takes place in Pittsburgh, my home town. Moreover, Rinaldi shares a similar background to my own—from his Italian heritage to his love of jazz to his teenage years spent working in the Steel City’s sprawling produce yards. (However, unlike me, he’s a former amateur boxer, and, in general, a lot braver and more resourceful than I am!)

But it’s my clinical experience that most influences my writing, that (hopefully) helps ground my stories and characters in reality. For example, Rinaldi’s best friend, Noah Frye, is a paranoid schizophrenic, his delusions tempered by medication (when he stays on it). Foul-mouthed, funny, and disconcertingly intuitive, this character is based on another real patient with whom I worked.

However, it isn’t just my experience as a therapist that informs some of the material in my crime novels. It’s also the emotions, conflicts and confusions that accompanied my career transition from screenwriter to psychotherapist. To say it was a rocky journey would be an understatement. For one thing, it wasn’t a decision that came easily. Or quickly. After almost 16 years as a Hollywood writer, the idea of changing careers—involving graduate school, years of supervised internships, and the difficulties of setting up a clinical practice—seemed… well… crazy. Frankly, I was so unsure about it that I kept the fact that I’d gone back to school a secret from all but a select group of friends. (It didn’t help that most of them thought I was crazy, too.)

In a similar way, my psychologist hero, Daniel Rinaldi, goes through an emotional upheaval before finding his calling. Though what happens to him is much more painful and life-shattering than merely deciding to change careers. My decision was the result of years of ruminating, of debating the pros and cons. His was in response to a single, overwhelming event—one that leads to his becoming a trauma specialist, treating the victims of violent crime.

No question, what makes the writing of this series so engaging for me is that I’m able to weave together aspects of my clinical training at a psychiatric facility, my current experience in private practice, and the police procedural details of a mystery thriller.

Which is why I knew from the very beginning that the protagonist of my series was going to be a therapist. But not merely because I am one, too.

Let me explain: some years back, I did a Commentary for NPR’s “All Things Considered” in which I lamented the depiction of male therapists in today’s TV shows and film.

In fact, I referenced two iconic images, from two memorable films: In Now, Voyager, kindly therapist Claude Rains walks in the garden with troubled patient Bette Davis. He’s paternal, insightful, and obviously knows what’s good for her.

In The Three Faces of Eve, Lee J. Cobb helps Joanne Woodward parse out the three distinct personalities tormenting her. Like Claude Rains before him, he’s a model of the patriarchal culture, a therapist of unquestionable motives and unimpeachable authority. One of the good guys.

Which raises the question: how did we get from there to Hannibal Lecter?

Because, I testily pointed out, with rare exceptions that’s where we are. And I still think this is true. Whether in print, in film or on TV, male therapists are serving more and more as convenient villains. Instead of being caretakers, they’re portrayed as troubled, predatory, even psychotic. It seems that every other mystery best-seller or Hollywood horror film features a demented shrink. Not to mention TV shows like Law and Order: SVU and the CSI franchises, where a male psychologist or psychiatrist is as liable to be the bad guy as any garden-variety contract killer or spurned lover.

Now I know enough to be skeptical about pop culture’s notion of any profession, but I can’t help wondering what’s going on. How did the image of male therapist go from father figure to the most likely suspect?

Maybe this change simply reflects one that’s occurred in the culture at large. After all, the past forty years has seen a challenge to the whole idea of male authority. In terms of image, professors, doctors and scientists of the male persuation have suddenly gone from being saints to sinners. Same with therapists. No wonder today’s crime novelists, TV and film writers find them irresistable as villains. All that education, respectibility and power, turned to the Dark Side.

But it isn’t just society’s growing mistrust of male authority that turned Lee J. Cobb’s gray suit and pipe into Anthony Hopkins’ face muzzle and leather restraints. After all, the world’s a pretty treacherous, confusing place nowadays. Our most sturdy institutions—government, the church, education—traditionally headed by men, seem to be letting us down. It’s no different with therapy. Whether fairly or not, I believe the way in which male therapists are portrayed in popular fiction reflects a similar disenchantment with both the profession in general, and its male practitioners in particular.

The truth is, nowadays—much like priests—male therapists suffer from the failed expectations of a disillusioned public. Which is why I wanted my series hero to be a therapist. Flawed, yes. Troubled, stubborn, and with a temper. But someone trying desperately to make a difference. To help others on the path to healing, even if only as a way to come to some kind of peace himself.

I guess what I’m saying is, if Daniel Rinaldi’s mission as a therapist is to treat those crippled by trauma, my mission as a writer is to help resuscitate the image of the mental health professional. Particularly male. Particularly in today’s harsh, cynical world.

Which brings me, by an admittedly circuitous route, back to Angie the Android. Believe it or not, we’re all a bit like Angie. We all want, in both our lives and our work, to be real. Authentic. For most writers I know, myself included, it is—as it was for Angie—our biggest and only dream.

That’s why I’m grateful I got to know her, all those years ago. As I am all the patients with whom I’ve been privileged to work since then. Just as I’m grateful for my lifetime of experiences, both personal and professional. Because everything we’ve ever done informs who we are, how we think, what we write.

The Beat poet Allen Ginsberg once said that our main job in life is to track our consciousness. That’s certainly true for patients in therapy. But I believe it’s also true for those of us who feel the need not only to keep track, but to write it down…

Dennis Palumbo