Showing posts with label Mystery Writers of America. Show all posts
Showing posts with label Mystery Writers of America. Show all posts

William E. (Bill) Chambers Recalls MWA Times Past

I met Bill Chambers at an MWA dinner in 2000 or 2001. Later I discovered we both grew up in Greenpoint, Brooklyn but at opposite ends. Bill was the Executive Vice President (EVP) of MWA then, and a wanna-be mystery author never got a warmer welcome at our meetings than Bill’s smiling Irish face. Bill had been an installer for Bell Telephone and Chief Steward with Local 1101 of the Communication Workers of America.

Bill is a doer who employed vision and smarts as our EVP. Witness the fact he persuaded the management of the Grand Hyatt Hotel on 42nd Street to host the Edgars at half their usual rates. “I liked the class of the place,” he says, “and I promised to pack the Dinner with celebrities.” Mary Higgins Clark, Mickey Spillane and Jerry Orbach attended, among others, and we’ve been there ever since.

Bill has published three novels—‘Death Toll’, ‘The Redemption Factor’ and ‘The Tormentress’—and a score of short stories in mystery magazines and anthologies here and in the United Kingdom. ‘If I Quench Thee…’, his story of an interracial murder, was re-published in 2008 by Alfred Hitchcock’s Mystery Magazine as a Mystery Classic, and is required reading in the Middle Schools of Scotland and London.

–Robert Knightly



I want to thank Bob Knightly for giving me the opportunity to share some of my experiences as a mystery writer and an MWA member. My first encounter with MWA was in passing its headquarters at 151 West 48th Street between 6th and 7th Avenue with my then girlfriend—now wife of 48 years—Marie, back in 1962 or 63. It was a blistering Sunday afternoon in July and as I looked up at the second floor window bearing the caricature of Edgar Allan Poe and the insignia Mystery Writers of America, I said something like, "I hope someday to be able to belong to that organization.”

Little did I dream that I would one day be Executive Vice President of MWA: 2000-2002. Marie believes in destiny and skeptic though I am I suspect she might be right. If fortune does deal us a hand I think freewill allows us the right to choose whether we play it or not.

It wasn’t until 1968 that again something fateful occurred to put me back on the road to MWA. A neighborhood friend who displayed a similar interest in fiction writing as I did took a clipping from the New York Times Classified Section and showed me a fine print ad concerning a short story course offered by the Mystery Writers of America. The price back then was I believe $25 and you received a three month, once weekly, two hour evening course conducted by novelist, short story writer and former MWA President Herbert Brean. I couldn’t wait to sign up. But my friend dropped out so I went to MWA’s West Side headquarters nervous and alone.

My first evening in that class dispelled any and all jitters. Then like now the atmosphere was warm and friendly—Mr. Brean put everyone at ease—and by the end of the night all 12 or so of us students had become relaxed and well acquainted.

I took that course three years in a row because it took Mr. Brean that long to hammer the art of understatement so necessary to successful short fiction into my dense skull. But my instructor had hopes for me. When I showed up on year three he said, “Bill I know you’re going to succeed because you’re too dumb to quit.” He laughed, I laughed and I got published at the end of that course. My short story “Don’t Kill A Karate Fighter” was published by Mike Shayne’s Mystery Magazine and my membership was upgraded from Affiliate to Active before the year was over.

Back then the whole Times Square Scene was rough. Crime, prostitution, drug dealing and Three Card Monte games flourished openly. Cops played streetwise whack a mole; they would pull one bad guy off the street and before they reached the station house two replacements would show up. When I went to Haaren High School—now John Jay College—on 10th Avenue and 59th street I followed my curiosity about Manhattan through every neighborhood East Side/West Side from Hell’s Kitchen to Battery Park and I was quite familiar with the culture or lack of it permeating the West 40’s. So I had no qualms about attending the monthly parties at MWA Headquarters and neither did anybody else. We knew that if you avoided the bad guys—had no commerce with them—they generally left you alone.

The parties in those days had a two dollar entrance fee that helped support the organization and whichever member volunteered to bartend received free drinks all night long. Besides that the costs of the drinks were so cheap they barely paid for the bottle they came out of. While my nerves no longer rattled like the night I became a student they flared once again when Marie and I walked into our first MWA party after Mr. Brean explained to us that as aspiring mystery writers we were welcome to attend with or without our significant others.

Well the first person to greet us as we walked through the door was an MWA legend named Chris Steinbrunner. Chris worked for WOR TV Channel 9 as executive producer to the television show Journey to Adventure; published a science fiction series; wrote non-fiction; and long before MWA adopted Roberts Rules of Order and became a 501C3 corporation with stringent by-laws to guide board regulations Chris was our perennial Executive Vice President. He quickly advised me that if I wanted to really meet people I should tend bar.

“They all end up there,” he said. I immediately followed that advice and it paid off in network connections, close acquaintances and some lifelong friendships.

But getting back to that first party: It was with butterflies that I shook hands with the legends of the time. Michael Avallone—whose Ed Noon series rivaled Mickey Spillane’s Mike Hammer in the 1950’s—was second to greet us after Chris. When he found out my wife’s middle name is Antoinette he called her by the queen’s full name ever after. Next greeter was Ed Hoch, even at that time a legendary short story writer. We remained friends until his death in 2008. Then came Aaron Marc Stein who wrote best selling mysteries under the nom de plume George Bagby; Also Hillary Waugh, pioneer of the Police Procedural, most notably Last Seen Wearing. While there were too many others to mention in this blog I must say Marie and I left that party feeling we had gained a new family. True enough: That was 44 years ago and I’m still a member.

While I can probably recall more factual stories I believe I’ve already exceeded my word total. But I’ll try and squeeze in another anecdote. Gloria Amory was MWA’s secretary during the 60’s and 70’s and one night after a party I was walking her to the subway when she stopped to point out an incident on the opposite corner. Some John must have financially stiffed a hooker because he was imprisoned in his car surrounded by ladies of the night who were rocking the vehicle and screaming curses and threats. Meantime a few feet from us a beat cop was earnestly engaged in conversation with a charming young lady. I approached the enthralled young officer and said, “Pardon me. I think someone is being murdered across the street.” He ran right over but we didn’t stick around to watch the melee. So the ending to this tale will have to remain a mystery.

Bill Chambers

Guest Today: Alafair Burke


Here we give you the delightful Alafair Burke, not only a delightful writer but also a gracious and delightful colleague.  This is a post from her the past from her own blog, which you can find at: http://alafairburke.com/

Go there.  You will find not only her blog and much more about her, but also a photo of Double-Bogey Duffer Burke Simpson.  I would nickname him Mr. Cuteness, a name I would otherwise reserve only for my own family's new puppy, Peter King-Steen.

Annamaria Alfieri


I promise this next sentence is an honest intro to today's post, not just BSP: This weekend I officially joined the board of directors of Mystery Writers of America and became President of the New York chapter. (Pause for applause.) In preparation for the annual MWA board funfest (aka orientation day), the unparalleled Margery Flax requested a biography to distribute to fellow board members. I sent her the usual jacket copy:
A formal deputy district attorney in Portland, Oregon, Alafair Burke now teaches criminal law at Hofstra Law School and lives in New York City. A graduate of Stanford Law School, she is the author of the Samantha Kincaid series, which includes the novels Judgment Calls, Missing Justice, and Close Case. Most recently, she published Angel's Tip, her second thriller featuring Ellie Hatcher.
Her response was polite, quick, and resoundingly clear, something like, "Are you sure that's all you want to include? This is usually a longer fun one, only for internal board distribution." In other words, Yawn, Snore, Zzzz....
I can take a hint, so I gave it another try. Borrowing in part from my website, I allowed myself thirty minutes to hammer out something that would give those who hadn't met me yet some sense of who I am and where I've been. Margery's assurance that this was purely internal was freeing. After I submitted my specially-designated "MWA board bio," I couldn't stop thinking about the sterileness of those book jacket author bios, scrubbed clean of all personality. As writers, we're committed to exploring the human stories that lurk beneath the superficial, but when asked to describe ourselves: Yawn, snore, zzzz..... I've spoken a few times during author appearances about a hypothetical world in which books (like the law school exams I grade as a professor) would be published anonymously, their authors known only by a randomly assigned number that readers could use to "identify" the authors they consistently enjoyed. After all, what separates reading from television and film is the active role of our mind's eye. To read books without knowing an author's age, gender, race, religion, region, education, attractiveness, or work experience might truly unleash our imaginations. Despite my musings about a utopia of anonymous publishing, I've come to realize why publishers emphasize (and readers desire) personal information about authors. The most delightful unexpected benefit of writing has been meeting some of my favorite authors. I already read these folks religiously before I met them, but I'll admit that I read them differently -- and more richly -- now. I recognize the wry winks in Laura Lippman's most leisurely paragraphs. I hear Michael Connelly's quiet voice in Bosch. I think I really know what Lisa Unger means when she writes on Ridley Jones's behalf that she's a "dork." And those short, little, maddeningly frustrating sentences from Lee Child are now sexy as hell. But I didn't get any of that from the book jackets. As the traditional print media and personal appearance opportunities for authors to introduce themselves to readers continue to dry up, many of us have taken to the Web. We do that not only to get our names out there, but also because we recognize that readers are more likely to experience our written work as intended if they come to it with a sense of who we are. (For example, an online reviewer once dissed a line of Ellie Hatcher's, something like "kicking it old school." The fact that it's corny to talk that way is of course precisely why she'd say such a thing. And if the reader "got" Ellie or anything about my work, he'd know that's -- ahem -- just how we roll.)
So as we're knocking ourselves out to convey our souls to readers, maybe we should take another look at book jacket bios. The publishers are going to type something beneath that favorite photo: It may as well be interesting. And so, even though Margery promised to keep this unsanitized bio a secret, I've decided to blast it out to the world:
Alafair Burke is the author of six novels in two series, one featuring NYPD Detective Ellie Hatcher, the other with Portland prosecutor Samantha Kincaid. Although reviewers have described both characters as “feisty,” Alafair might accidentally spill a drink on anyone who invokes that word to describe her or anyone she cares about.
Alafair grew up in Wichita, Kansas, whose greatest contribution to her childhood was a serial killer called BTK. Nothing warps a young mind quite like daily reports involving the word, bind, torture, and kill.
From Kansas, Alafair dreamed of fleeing west. Fearing their daughter might fall prey to a 1980’s version of the Manson Family (um, Nelson?), her parents prohibited her from attending school in California. Ironically, she ended up at Reed College, where the bookstore sold shirts that read "Atheism, Communism, Free Love," and Alafair found herself (lovingly) nicknamed Nancy Reagan and The Cheerleader.
From Reed, Alafair went to the decidedly less hippy-ish Stanford Law School. Although she went with dreams of becoming an entertainment lawyer so she could make deals at the Palm and score seats at the Oscars, she eventually realized she had watched "The Player" one too many times, and instead decided to pursue criminal law because she was obsessed with the Unabomber.
Most of Alafair’s legal practice was as a prosecutor in Portland, Oregon, where she infamously managed to tally up a net loss on prison time imposed during her prosecutorial career. (Help spring two exonerated people from prison to put a guy called the Happy Face Killer behind bars, and it really ruins your numbers.) As hard as it is for her to believe, she is now a professor at Hofstra Law School.
When Alafair is not teaching classes or writing, she enjoys rotting her brain. She runs to an iPod playlist with three continuous hours of spaz music (think "It Takes Two" by DJ Rob Bass, "Smooth Criminal" by Alien Art Farm, and "Planet Claire" by the B-52's). She insists that Duran Duran, the Psychedelic Furs, and the Cure hold up just as well as the so-called classics. She watches way too much television, usually on cable. She wants Tina Fey to be her BFF. She likes to drink wine and cook.
She discloses TMI on the Interwebs, blogging regularly at Murderati and logging teenage-territory hours on Facebook. She will golf at the drop of a hat even though she’s bad at it.
Most importantly, Alafair loves her husband, Sean, and their French bulldog, The Duffer. She also loves her parents, but if you ask her about them, she’ll ask you about yours.
What do you think? Should all authors let loose on their jacket flaps? Would it affect that crucial decision of whether to purchase? Would it change how we read? If you're a writer, what should your author bio REALLY say? And if you're a reader, what would you like to know about some of your favorite writers?